1.348 file audio bebas royalti untuk "Synthetic Tones"

Created in virtual ans synth using visuals to draw sounds. Still learning and this is just messing around a little :).

Created in virtual ans synth using visuals to draw sounds. Still learning and this is just messing around a little :).

Created in virtual ans synth using visuals to draw sounds. Still learning and this is just messing around a little :). Re-uploaded at half volume(using audacity), by the recommendation of a comment.

My attempt at creating a falling sound -a descending tone followed by an impact. Made with audacity.

Created with garageband.

Evolving synth. Free for use. If you like it follow me on social mediahttps://www. Instagram. Com/naumusiclab/.

Synthesizer: fruity dx10.

Synthesizer: fruity dx10.

Synthesizer: fruity dx10.

Ambience sound for the engine of a huge spaceship in deep space. Synthesized with vcv rack.

Arp 2600 high freq pad.

Sci-fi energy shield. Synthesized with vcv rack.

Electronic hi-hats percussionloop.

Hum machinery power synthetic machine sci-filoopable sound generated and modified in adobe audition. I wanted it to sound like a space ship hum or exotic power station.

I've put my zoom h2n inside an old pizza oven and closed it for this.

Put my zoom h2n inside the oven and closed it for this.

Tone generated on a landline phone when phone line is active and ready for use. Created from scratch using signal generators.

All harmonics from 16 to 32 as a tone cluster, primarily of seconds, then arpeggiated.

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

Diminished triad on B, as MIDI

Whole tone scale on B. Created by Hyacinth (talk) 01:01, 6 July 2010 using Sibelius 5.

Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone

Secondary leading-tone chord from Purcell's Z. 669, III, mm. 9-13.

I made a small melody on studio one 5. Didn't know what to do with it. Enjoy!.

Slowly rising and fading synthetic bomber sound.

Recording of a handheld game tronic device. I connected the device directly from the plate to the audio in of my computer. So the sound is kind of original. The batteries were little low, so the audio is mutated and sounds strange.

Yet another "low, bassy thing". Will sound better once downloaded as the preview function sometimes adds compression artifacts. This one is loopable and might produce a mildly stupefied mental state in some listeners. So if you go and load it into your ipod don't try operating a vehicle or playing with power tools.

Kick.

From a minimoog.

From a minimoog.

Synthetic "cavern" soundscape i did for a film using a wind recording, pitch shifter, reverb and chorus. Simple, but good as a subtle backdrop.

This is a synthetic and atmospheric soundscape with acid techno sounding cavernous droplets in the background.

Ambiguous beat pattern produced with a heavily cross-modulated sample and hold patch on the studiofactory/synfactory soft synth.

Sfx bass rise 2 bar, created in ableton from scratch with sylenth then processing multiple times.

Recording of an acid bassline i wrote being algorithmically deconstructed via an lfo-controlled scratcher module in buzz tracker.

A sci-fi sound created with a free vst instrument. It's good for "alien" type atmospheres or intros.

Made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters.

A breakbeat i done at 150 bpm. Done in caustic 3 on the beatbox used the r1000 drum kit.

Virtual ans.

A kind of breathing machine, or living sci-fi machine. Originally made for the ambience sound inside a deep space station. Synthesized with vcv rack.

Even more synthetic sounds! totally free!amsynth, sine generator and several ladspa, lv2 filters used. //////////////////////////////////////////////////////////////////////hope you enjoy the audio clips. Leave a comment if you wish! thanks.

Generated in audacity, this sine tone has an elevated pitch with lowered gain to emulate a generic censorship tone you would hear on public television. The tone is suitable for use in any field, most notably in video games, films or animations. Whether it's comical, functional or both, this tone is a viable resource for censorship detail.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Schoenberg - Variations for Orchestra op. 31 tone row.

Leading-tone seventh chord in C minor.

Mirror forms, P, R, I, and RI, of a tone row (from Schoenberg's Variations for Orchestra op. 31): "Called mirror forms because...they are identical."

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Webern's Concerto Op. 24 tone row, composed of four trichords: P RI R I.